50 Best Space Movies Of All Time Ranked

Space is the final frontier, and, of course, the place where no one can hear you scream. As a setting for movies, space has provided endless opportunities for incredible films, ones that showcase humanity's fascination with places unknown, epic journeys, weird and wonderful creatures, and alien technology. Sitting within the realm of science fiction, it's a subgenre that continues to surprise and delight audiences.

As few of us will be able to experience the wonders of space for ourselves, movies are the thing that can transport us there. Some convey the awe and wonder of other worlds and planets, whereas others take a distinctly darker approach, portraying space as something to be feared, full of things that humans should perhaps not meddle with.

From a 1902 silent film about the moon to modern planet-hopping blockbuster behemoths, the genre has something to offer everyone, with possibilities almost as vast as the universe itself. While many of these films focus on people traveling to other planets –- both real and fictional –- or visitors from other worlds coming to Earth, others are much more grounded in reality, taking inspiration from real-life events and space missions. With a whole galaxy of films to choose from, these are the very best space movies. (Warning: There are spoilers below.)

Updated on July 6, 2022: Space stretches on forever, which means there's plenty of room for more space movies. As otherworldly films take their place in the cosmos, we'll be sure to add any instant classics to our list.

Following the incredible "District 9" was no easy feat for director Neill Blomkamp, and while "Elysium" doesn't reach the heights of that film, it's still one that's worth a watch. "Elysium" continues some of the themes set out in Blomkamp's previous movie, particularly examining the idea of class inequality. Set in the year 2154, there are vast wealth divisions in humanity, with the mega-rich living on a luxury space station called Elysium and the rest living hand-to-mouth in what remains of the Earth. The future hangs in the balance as Max Da Costa (Matt Damon) seeks to bring equality between the groups, but Secretary Delacourt (Jodie Foster) stands in his way as she endeavors to protect the prosperous population of Elysium.

While the film performed well at the box office, Blomkamp himself had some regrets about its script, saying, "I just didn't make a good enough film is ultimately what it is" (via Uproxx). However, we think the guy is being a little hard on himself. After all, it was well-received by critics, including Amon Warmann for CineVue, who called it "one of those rare blockbusters that manages to be entertaining while also having something relevant to say."

Our fascination about whether life exists on other planets is frequently the subject of movies, like this underrated 2013 film. Partially filmed in a found-footage style, "Europa Report" follows a group of astronauts as they embark on a mission to Europa –- one of the moons of Jupiter –- to search for signs of life. Using this filming technique helps to ground the film in a strikingly realistic way, as well as adding to the claustrophobic and tense atmosphere.

Space movies aren't often praised for their sense of realism, but "Europa Report" was an exception to this, with Space.com saying it "just might be the most realistic — and harrowing — depiction of space travel on the big screen in years." Without a major distributor behind it, the film had a limited release and even more limited box office takings, but it boasts an impressive 'fresh' rating on Rotten Tomatoes, with critics such as Michael D. Lemonick for Time calling it "brisk, thrilling and ultimately terrifying."

While "Armageddon" –- the other space-themed disaster movie that came out in 1998 -– eventually dwarfed "Deep Impact" in terms of overall box office, "Deep Impact" is arguably the stronger film, and it had a better opening weekend to its counterpart, beating it by just over $5 million. In the movie, an 11km wide comet is on course to collide with Earth with catastrophic consequences. While a heroic team of astronauts is sent out to try and decimate the comet in orbit, the film focuses more heavily on the human impact, as those on Earth face their possible extinction.

Unlike "Armageddon," "Deep Impact" has been lauded for being a much more realistic depiction of what would happen when a comet is on a collision course with Earth. For example, n an interview with BuzzFeed, astrophysicist Neil deGrasse Tyson praised the film, saying that it "had really good science going there."

Space frequently provides a terrifying backdrop for films that finely toe the line between sci-fi and horror, and one of the most nightmare-inducing examples is 1997's "Event Horizon." When a spaceship that previously disappeared into a black hole comes back into orbit, a rescue crew is deployed to investigate, unaware that something dark and sinister has found its way on board. "Event Horizon" plays out like a haunted house movie in space, with a certain debt owed to films such as "The Shining" and "Alien" in terms of creating that feeling of paranoia and claustrophobia.

"Event Horizon" was plagued by a troubled production, and upon its release, not only was it a box office flop but it was torn apart by critics like Jonathan Rosenbaum for Chicago Reader, who called it "the pits." However, in a similar trajectory to 1982's "The Thing," it became a cult hit following its release on home video and has subsequently been re-assessed as an underrated example of the genre.

The story may be a familiar one –- a crew on board a spaceship finds a rapidly evolving life-form that threatens their existence –- but 2017's "Life" proves that this oft-repeated concept is still one that can draw in an audience. Largely bolstered by a starry cast that includes Jake Gyllenhaal, Rebecca Ferguson, and Ryan Reynolds, "Life" focuses on a small crew on the International Space Station who uncover evidence of life on Mars. What's particularly terrifying about this film is we see the evolution of the life form –- which our heroes name "Calvin" –- as it adapts and changes into something that doesn't just pose a threat to the crew members but to all life on Earth.

While it treads familiar ground and instantly leads to comparisons with the much superior "Alien," "Life" has some well-timed and effective moments of body horror, with a particularly bleak twist ending that will haunt you as the credits roll. As with many of the films of this ilk, the characters aren't particularly well-developed, but the concept itself is scary enough to keep your interest.

Directors Ron Clements and Jon Musker had been floating the idea of "Treasure Island in Space" for almost two decades. While the directing duo enjoyed success in the meantime with films such as "The Little Mermaid" and "Aladdin," their passion project finally came to fruition in 2002, rebranded as "Treasure Planet." While the film was a huge flop for Disney, it's hugely imaginative and marked a big leap forward in terms of blending CGI animation techniques with the more traditional hand-drawn style.

The film focuses on Jim Hawkins (voiced by Joseph Gordon-Levitt), a rebellious teen who's bequeathed a treasure map, and along with a cyborg John Silver (Brian Murray) as his mentor, he embarks on the journey to find the hidden loot. Despite the poor box office takings, "Treasure Planet" received many positive reviews, including from critic Ed Gonzalez for Slant Magazine who said, "The film is alive with a rollicking sense of adventure." It may not match some of Disney's other films in terms of longevity, but based on sheer spectacle, it's one of the very best.

Set in the 23rd century, "Starship Troopers" sees humanity locked in a brutal battle against giant alien bugs. And as this entertaining cult classic comes from director Paul Verhoeven ("RoboCop," "Total Recall"), you know it's going to be a truly wild ride. As well as some brilliantly brutal battle scenes, "Starship Troopers" satirizes extreme militarism through the bombastic, overly nationalistic propaganda news reports.

As is often the case with satire, "Starship Troopers" wasn't particularly well-received by critics when it was released. However, more recent reappraisals have seen a new appreciation for some of the film's evergreen themes and its biting wit. Writing for The Atlantic, Calum Marsh said, "If you're open and attuned to it ... you'll get the joke 'Starship Troopers' is telling. And you'll laugh." Slant Magazine also chimed in with the praise, labeling Verhoeven's misunderstood gem as "one of the greatest of all anti-imperialist films."

The theme of environmentalism crops up in space movies perhaps more often than you might think, and the idea that the fragility of life and Earth's ecosystem can so easily be disrupted by a catastrophic global event provides the perfect framing for a story. It's something that seems distant yet also completely possible — and certainly more believable than alien invaders. This idea is explored in 1972's "Silent Running," where ecologist and botanist Freeman Lowell (Bruce Dern) tends to what remains of Earth's plant life, now preserved in enormous domes in space.

With a scaled-back cast, the focus of the film is on the character of Lowell and his particularly charming relationship with two robots, Dewey and Louie. It wears its eco themes on its sleeve, yet it never feels condescending or preachy, and the influence of "Silent Running" is particularly clear in Pixar's "WALL-E," which came more than 35 years later. It isn't as flashy as a lot of other space films, and it lacks the technical prowess of films such as "2001: A Space Odyssey," but there's an undeniable charm to "Silent Running" and a potency to its themes that seems to become more and more relevant over time.

It may be a story that's been told over and over again, but Steven Spielberg's adaptation of the H.G. Wells classic retains the sense of paranoia and uncertainty from the source material while also delivering a fresh take in terms of action movie thrills and sheer drama. The destructive capabilities of the imposing alien structures are seen through the eyes of everyman Ray Ferrier (Tom Cruise), who desperately tries to save his family from the threat.

Spielberg's previous dalliances with aliens in his films saw them depicted as passive and communicative in "Close Encounters of the Third Kind" and even downright lovable in "E.T. the Extra-Terrestrial." It's particularly thrilling therefore to see him focus on a more powerful and violent alien race, while never losing the emotional resonance that made the aforementioned films so memorable. Speaking about his approach to the film, Spielberg said, "I wanted this to be a very personal story about a family fleeing for its life. And a father trying to protect his two kids" (via USA Today). With heart and undeniable spectacle, "War of the Worlds" proves once again that no one does it better than the man who invented the blockbuster.

This 2011 thriller from director J.J. Abrams lovingly pays tribute to nostalgic classics such as "E.T. the Extra-Terrestrial" and "Stand by Me," while also being a celebration of the art of moviemaking in itself. In the film, a group of friends are shooting their own zombie movie when they witness a horrific train crash and an alien creature emerging from the chaos. While the action in "Super 8" may take place on Earth, the focus is on the alien invaders and particularly how this is seen through young eyes.

With excellent performances from Elle Fanning and Joel Courtney in particular, "Super 8" evokes the feeling of some of Steven Spielberg's early work, (the director has a producer credit for this film) giving equal importance to blockbuster spectacle and genuine heart and warmth. The film proved to be a surprise commercial success, making over $260 million at the box office, and was praised by critics, including Total Film critic Jamie Graham who remarked, "Only a young Spielberg at the top of his game could beat it."

From Paul Verhoeven, the director of "RoboCop" and "Starship Troopers," "Total Recall" is another brain-busting, brutal sci-fi epic. Arnold Schwarzenegger plays a construction worker Douglas Quaid, who decides to have a virtual vacation to Mars by visiting the company "Rekall" -– a corporation that plants false memories into people. However, all does not go to plan, and Quaid discovers life as he knows it is false, and the people who put his memories there want him dead.

Based on the short story "We Can Remember It for You Wholesale" by Philip K. Dick, the film explores the themes of memory and identity and –- as all of the best sci-fi films tend to do –- leaves the audience with more questions than answers. The movie's ambiguous ending leaves us wondering if what we've seen is real or not, and this is just one of the many things that give the film its staying power. In the '80s and '90s, Schwarzenegger was one of the most bankable box office stars, and this was reflected in the numbers for "Total Recall," making an impressive $261 million worldwide.

Widely considered by many as the best "Star Trek" movie, 1982's "The Wrath of Khan" is also one of the rare movie sequels that manages to surpass the original. Retaining the spirit –- and the cast –- of the '60s TV show, "The Wrath of Khan" sees the return of an old nemesis who's escaped from exile to get revenge on Kirk (William Shatner). Previously appearing in "Space Seed" -– the 22nd episode of the first season of the original series –- Ricardo Montalbán reprises his role as the legendary villain Khan Noonien Singh. 

"The Wrath of Khan" saw a huge departure from 1979's slow-moving "Star Trek: The Motion Picture," which had not been well-received, and marked the beginning of a quasi-trilogy that concluded with 1986's "Star Trek IV: The Voyage Home." The decision to make "The Wrath of Khan" more in tune with what made the original series so popular undoubtedly worked, and the film opened to a positive critical response and an impressive box office, earning $95 million worldwide. In a retrospective review for Empire, critic Angie Errigo credited "The Wrath of Khan" with being the film "that put the franchise on the right track."

Before adapting Frank Herbert's seminal sci-fi novel, director Denis Villeneuve had proven his credentials in the genre with "Arrival" and "Blade Runner 2049," making him more than qualified to tackle the gargantuan story –- previously adapted for the big screen by David Lynch in 1984. While 2021's "Dune" only tells half of the story -– the sequel is poised for release in 2023 –- it does a remarkable job of establishing the unique desert world of Arrakis and the importance of the central hero, Paul Atreides (Timothée Chalamet).

Paul is the heir to the noble House of Atreides, who's thrown into an interplanetary war centered around Arrakis –- the only place where the precious resource known as "spice" can be found. The scope of "Dune" is undoubtedly huge, and while the world-building is a little dizzying at times, the visual spectacle more than makes up for the dense plot. "Dune" proved to be a big box office success, making just shy of $400 million off a budget of $165 million, all while during the COVID-19 pandemic and as the film was simultaneously released on HBO Max. In other words, it's incredibly impressive that it only narrowly missing out on being in the top 10 highest-grossing films of 2021.

Son of the "Starman" David Bowie himself, Duncan Jones made an instant impression on the film world with his impressive debut movie, "Moon," in 2009. Sam Rockwell stars as Sam Bell, a solitary astronaut working on the moon, with Kevin Spacey as the voice of his robot companion GERTY. Along with the astonishing practical effects and a haunting score from Clint Mansell, "Moon" is notable for effectively conveying the loneliness of space. Its focus on the "one man and his robot story" evokes the feeling of films such as "Silent Running," and the calming tones of GERTY call to mind the infamous HAL 9000 from "2001: A Space Odyssey."

While inspired by these space movie greats, "Moon" succeeds in its own way, anchored by a superb performance by Sam Rockwell, whom Jones wrote the part for. With a modest budget of just $5 million, it also proved that a highly effective and emotionally driven space film could be created without the need for a large ensemble cast or expensive special effects, and critic Roger Ebert called it "a superior example of that threatened genre, hard science-fiction."

While many space films bear a resemblance to their counterparts, "Galaxy Quest" wears its identity of a loving and hilarious pastiche of "Star Trek" proudly. In this meta sci-fi comedy, the cast of the canceled fictional TV show "Galaxy Quest" find themselves in a real intergalactic adventure when some visiting aliens believe their show is a documentary. "Galaxy Quest" is so closely aligned with "Star Trek" that in 2013, Trekkies voted it as one of the best "Star Trek movies, with IGN commenting, "While not technically a 'Star Trek' movie, one can certainly see how it could make the cut. It's more 'Star Trek' than a couple of the actual 'Star Trek' movies even."

With references to other movies such as "The Day The Earth Stood Still" and "Event Horizon," the film became a cult classic amongst sci-fi fans, making around $90 million at the box office. "Galaxy Quest" also received favorable reviews from critics including Joe Leydon for Variety, who said the film "remains light and bright as it races along, and never turns nasty or mean-spirited as it satirizes the cliches and cults of 'Star Trek.'"

Compared to the big-hitters of the Hulk and Captain America, this obscure gang of space misfits wasn't as well-known in the Marvel Universe, and yet their debut big-screen adventure proved to be a huge hit. The motley crew that makes up the "Guardians of the Galaxy" consists of a half-human smuggler, a raccoon-like bounty hunter, and a living humanoid tree amongst others, but there was something about the strange dynamics and the retro space-opera adventure style of the film that just seemed to click.

One of the highlights of "Guardians of the Galaxy" was the killer soundtrack –- almost a character in its own right within the film and the perfect accompaniment to its offbeat tone. With its unique blend of zany humor and fun action set pieces, the Guardians easily slotted into the MCU, providing a refreshing palate cleanser for some of the more serious superheroes. As is to be expected with most Marvel films, "Guardians of the Galaxy" was a huge box office success, making more than $773 million worldwide and spawning a number of sequels and appearances for the characters in the wider MCU.

While you could make the case for any of Thor's big-screen adventures being included in this list, the spaciest of them all is undoubtedly "Thor: Ragnarok." With director Taika Waititi at the helm, "Thor: Ragnarok" seems to take its cues from "Guardians of the Galaxy" and successfully conveys the goofiness of the character. In a severe turn from the almost Shakespearean seriousness of the previous two "Thor" films, Waititi instead leans into the weirdness, and the result is a highly entertaining superhero flick.

Most of the film takes place on the planet Sakaar, where Thor (Chris Hemsworth) crash-lands after the arrival of his malevolent sister, Hela (Cate Blanchett), who quickly assumes power over Asgard. Described as a "garbage planet," Sakaar is ruled by the eccentric Grandmaster (the incomparable Jeff Goldblum), who forces Thor to compete in his Contest of Champions to earn his freedom. The change of direction from Waititi proved to be a hit with critics, including Sheri Linden for The Hollywood Reporter, who called it "engaging enough to hold the attention of even those uninitiated in the lore of the Nine Realms."

With a second entry for director Denis Villeneuve, 2016's "Arrival" is a film that focuses on Earth, yet it deals with the concept of an alien invasion in a way that feels so fresh and innovative that it is absolutely worthy of a place on this list. Based on "Story of Your Life" by Ted Chiang, the film sees 12 imposing extraterrestrial structures arrive at key locations across the globe. While the towering spacecraft look threatening, there's no immediate sign of attack from whatever is on board, so linguistics expert Louise Banks (Amy Adams) is one of the people enlisted to make contact with the creatures and establish their intent.

The film is also peppered with scenes of Louise and her daughter, who tragically dies from a terminal disease. However, as the narrative progresses, it becomes evident that the events we're witnessing aren't perhaps as linear as we had been lead to believe, with the cryptic opening line "I used to think this was the beginning of your story" suggesting that time is a fluid concept within the film. "Arrival" is a very different kind of alien invasion story, with a reflective, meditative, and existential tone in place of explosions and heavy action scenes. While Amy Adams' quietly devastating performance was unfortunately overlooked by the Academy, "Arrival" did pick up eight Oscar nominations and one win for Best Achievement in Sound Editing.

While it may take dramatic deviations from the true story that inspired it, "The Right Stuff" tells the stirring tale of the Mercury Seven, the military pilots who trained as astronauts for the first human spaceflight. These seven men had a rough and ready approach, and their daring attitudes and significance in the early stages of the Space Race led to them being treated almost like rock stars. The film also doesn't shy away from the emotional and mental toll they experienced from being willing to risk their lives and the pressures that came from being thrust into the spotlight during an event in history that was as much about politics as it was technical innovation.

It seems surprising given the subject matter, but the film was a box office flop when it came out, making just over $21 million off a budget of around $27 million. It proved to be a hit with the critics, however, with Roger Ebert giving it a perfect four-star rating and naming it as one of the very best films of the 1980s. The movie also received eight nominations at the 56th Academy Awards, winning for Best Film Editing, Best Original Score, Best Sound, and Best Sound Effects Editing.

Alien invasion movies frequently depict the arriving creatures as menacing and a threat to humanity's existence. While there is a place for this sort of film –- and they are undeniably fun to watch –- there's also something to be said for films that take a much more peaceful approach, such as 1951's "The Day the Earth Stood Still." When humanoid extraterrestrial Klaatu (Michael Rennie) and robot Gort (Lock Martin) arrive on Earth, it's not with their weapons directed at the humans, but instead, they come with a cautionary message about the dangers of war and the threat humanity poses to itself if people don't heed their warning.

Set against the backdrop of the Cold War, "The Day the Earth Stood Still" speaks to the suspicion and distrust that existed between people at the time, while also providing a message that's surprisingly relevant to society today. The film's emphasis on receptiveness and the importance of speaking and listening to those who are perhaps different to us is also seen in films such as "Arrival" and "Close Encounters of the Third Kind," and despite its dated special effects, "The Day the Earth Stood Still" remains one of the greatest alien films of all time.

There's something incredibly tactile about early science fiction, with the limited special effects, besuited actors in the place of robots and aliens, and elaborate and imaginative set designs. 1956's "Forbidden Planet" is one such film, a ground-breaking sci-fi masterpiece that's frequently cited as one of the most influential of the genre. The film has several "firsts" credited to it, including being the first film to be set entirely on a different planet and the first Hollywood film to have an all-electronic score (via FilmSite).

Loosely based on Shakespeare's "The Tempest," "Forbidden Planet" is set in the 23rd century, and the film depicts a team of astronauts sent to explore the planet Altair IV, where a colony was established 20 years prior. They discover only two humans remaining — a scientist and his beautiful daughter – plus Robby the Robot, a figure so significant in the film he's even credited as his character name. Robby marked a huge leap forward both in terms of the extortionate cost to build the prop and the distinct personality he was given. Reportedly costing around $125,000 to build, Robby ended up being a necessary cost as he became "the film's most memorable character and responsible for the cult status the movie enjoys" (via Robot Hall of Fame). "Forbidden Planet" may look dated now compared to the slick space movies we are accustomed to, but it's campy fun and a must-watch for any fan of the genre.

As this list proves, there's a huge amount of choice when it comes to films about humanity's desire for space exploration, with a number of them being based on true stories. Arguably the most well-known movie that falls into this category is "Apollo 13," based on the troubled mission of the same name in 1970. Directed by Ron Howard, the film stars Tom Hanks, Bill Paxton, and Kevin Bacon as the team of astronauts whose lives are at risk when their spacecraft is damaged, forcing them to shift their focus to making it safely home rather than their original lunar destination.

While the film made some minor changes to the story, director Ron Howard was also determined to make the film as technically accurate as possible, including making an exact replica of the Mission Control room where the ground staff communicated with the astronauts. While this is a nitpick few people would ever realize, they did slightly alter the famous "Houston, we have a problem" line, with NASA records stating that what was actually said was, "Houston, we've had a problem." Semantics aside, "Apollo 13" proved to be a huge hit with critics and audiences, with the Rotten Tomatoes consensus saying, "Apollo 13 pulls no punches: It's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances."

A sequel rarely manages to match its predecessor, but many consider 1986's "Aliens" to be the best example of this. And indeed, there's only 1% that separates their Tomatometer ratings on Rotten Tomatoes. Where "Alien" could be classed as science fiction horror, "Aliens" sits much closer to a science fiction action flick, with returning hero Ripley (Sigourney Weaver) joining forces with colonial marines on a mission to destroy the aliens who took the lives of the Nostromo crew. Along the way, Ripley encounters an abandoned young girl nicknamed Newt, (Carrie Henn), who she becomes fiercely protective of –- even stepping in to defend her against the ferocious alien queen, which is a scene that gives the film one of its most memorable quotes.

As well as the shift of genres from horror to action, "Aliens" saw a change in director as well, with James Cameron brought on board following his success with "The Terminator" in 1984. Like Cameron's other wildly successful films at the time, "Aliens" took the box office by storm, earning just over $131 million –- around $25 million more than "Alien" made. The success of "Aliens" even extended to the Oscars, where it was nominated for seven awards, including a Best Actress nomination for Sigourney Weaver when films of this genre were rarely recognized by the Academy. While she didn't win, it did pick up prizes for Sound Effects Editing and Visual Effects.

Released in 1979, "Alien" has easily one of the greatest movie taglines, with this ominous warning: "In space, no one can hear you scream." To this day, "Alien" remains one of the best examples of movie genre hybrids, with its pitch-perfect blend of horror and science fiction being incredibly effective. Set on board the space tug Nostromo, a small crew faces unimaginable horror when an alien lifeform begins to attack. In one of the most memorable scenes in the film –- and one that has a certain degree of infamy based on audience reactions –- an alien bursts out of the chest of Kane (John Hurt), much to the surprise of even the cast members as they were deliberately kept in the dark about the effects until it came to shooting.

As well as this landmark, stomach-churning moment, "Alien" gave us one of the greatest screen heroines in the iconic Ripley, (Sigourney Weaver), who remained the lynchpin of the subsequent sequels, even as they began to decline in quality. Surprisingly, when "Alien" was first released, the critical reception was a little mixed, with legendary critic Roger Ebert calling it one of the few "real disappointments" of the genre on a 1980 episode of "Sneak Previews." However, Ebert was one of the many who reassessed the film decades later, calling it one of "the most influential of modern action pictures" and saying it "still vibrates with a dark and frightening intensity."

When it comes to space movies, it's hard to find one better than Stanley Kubrick's 1968 magnum opus. Taking us from the dawn of time to "beyond the infinite," the film focuses on man's exploration further into the depths of space, accruing new knowledge about the universe and achieving huge advancements in technology. In what's now one of the most famous match cuts in cinema history, we are hurtled from our ancestors discovering how to use rudimentary tools into space, where people are now able to travel with relative ease across the cosmos. The most well-known segment of the film sees us on board the spacecraft Discovery One on their Jupiter mission. It's here that we meet HAL 9000, who's little more than a red light and a calming voice and yet is one of the scariest film villains –- hugely influential in other films such as "WALL-E" and "Moon."

It isn't surprising that the film was divisive when it was released. Some were quick to call it one of the best films ever made, while others simply didn't understand it. The film's star Keir Dullea said that 250 people walked out of the New York premiere (via The Hollywood Reporter). The ending may leave you scratching your heads, but there's no doubt that "2001: A Space Odyssey" is the greatest space movie ever made. Often imitated, frequently parodied, and still influential to this day, it's the film that many aspire to but few can surpass.