Alistair Ryder
Location
Manchester, United Kingdom
School
Leeds Trinity University
Expertise
British Cinema And Pop Culture, The History Of Horror Movies, Awards Season
- Alistair has gotten the chance to interview major names including Woody Harrelson, Steven Spielberg and the cast of Jackass.
- He attends major international film festivals as a member of the press, including Cannes and Sundance.
- Alistair has been a member of GALECA, an organization for LGBTQ film and TV critics, since 2017.
Experience
Alistair is a film critic and culture writer based in Manchester, England. He's currently Deputy Editor of The Lowdown, Zavvi's monthly magazine, where he has had the chance to interview major names. In addition to writing for Looper and Zavvi, he can be found sharing his thoughts on the latest films regularly over on The Film Stage. However, don't ask him what his favorite films are: He submitted a ballot as part of the 2022 Sight & Sound poll and already disagrees with many of the choices he made.
Education
Alistair studied Journalism at Leeds Trinity University and worked for a newspaper in the UK before finding his calling in the glamorous world of entertainment journalism.
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Our team of editors and advisors constantly updates and reviews articles to ensure they're current, comprehensive, and informative. Additional information on our editorial process available here.
Stories By Alistair Ryder
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Similar to the works of Ari Aster, Parker Finn's Smile is one of the scariest (and most disturbing) studio horror films in years.
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Sylvester Stallone's "Samaritan" is an ordinary tale of good versus evil that's even more formulaic than the franchise films it thinks it's an antidote to.
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Owen Kline's directorial debut, Funny Pages, is not a cringe-comedy so much as it is a full-body squirm one, but here's why it left us wanting so much more
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If you go into "Orphan: First Kill" expecting the origin of Esther's murderous ways then you'll be disappointed but the second half is still wildly entertaining
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"Fall" is far from perfect, not least because of a third-act twist that could have easily been written out, but it's the perfect movie to see with a crowd
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The most remarkable thing about "Luck" is that any storytelling magic John Lasseter once had with Toy Story and Pixar is now all but absent in the charmless pic
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Bullet Train is everything you want from a popcorn blockbuster, best experienced with your brain switched firmly in the off position, but the third act is messy
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Billy Porter makes his directorial debut with Anything's Possible, and while it's a vital story of trans joy and love, it's also a somewhat average melodrama
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Don't Make Me Go has all the trappings of a heartwarming road trip movie with two compelling stars in the lead, but there's a terrible twist in the third act
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The Forgiven features a powerhouse pair in the lead in Jessica Chastain and Ralph Fiennes but the John Michael McDonagh film struggles to delve into its premise
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Good Luck to You Leo Grande might be advertised as a sexy dramedy, but it's not exactly as advertised — still, it's a great Covid-era film and here's why
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After four films, there's no denying that Toy Story is a tried and true fan favorite franchise, but Lightyear is not up to speed with the rest of the films
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"Top Gun: Maverick" is the ideal model for a legacy sequel, improving upon the original even if some of its inherent flaws carry over.
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Pierre Perifel's debut signals the arrival of a talented new voice who has helped create something that stands apart from the rest of DreamWorks' output.
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Triumphs in terms of pure cinematic spectacle, but feels ever so slightly insubstantial when viewed as anything more than a genre exercise.
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A work of cinematic carnage no other director could deliver.
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A satire of toxic masculinity, disguised as a delightfully trashy genre piece.
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"Turning Red" proves that Domee Shi might be the future of Pixar.
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It's the best film released in 2022 so far.
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To its credit, the directorial debut of Mimi Cave certainly appears to have a fresh genre hook upon first glance.
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There's something surprisingly empowering about this adaptation that may not make itself apparent at first glance.
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Fittingly for its subject, it makes for a fascinating but frequently frustrating watch.
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While "Munich: The Edge of War" succeeds as an entertaining if overly familiar (pre-) WWII spy thriller, it stumbles on the aspect that has courted controversy.
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There's one thing you can definitely say about "Belle" - if Mark Zuckerberg sees this film, he'll be looking on with awe.
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The real tragedy of this Macbeth is just how disappointing it is.
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"The Power of the Dog" is a rich, rewarding film.
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It's a director recapturing some of the most pivotal moments of his childhood, without ever overlooking the grit that helped shape many of them.